New to the Library: “Spanish Death Song” The Builders and the Butchers

https://i.ytimg.com/vi/8Ql4hVJzLB0/maxresdefault.jpgAlthough this is new to my digital library, it is not new to the marriage-merge CD library. But! This creates a nice opportunity to give a shout out to a great little song that helped me through some shit times in Eugene, OR. For whatever reason, the first few tracks of this album (The Builders and the Butchers) became my daily post-Safeway-hell go to. Maybe it’s the nostalgia for the god-awful swine flu that I had in 2009…we’ll never know.

The vocal melody on this track is hypnotic.  But I think even more than that, the percussion on this and several other songs on this album is what drives the addiction. They use many different percussive instruments throughout “Spanish Death Song” and it really gives you the feel of being in a live music circle. Which to come full circle, is not that far from the block-surrounding-the-Kiva vibe of downtown Eugene. If you’re into faux-gypsy-indie-clap-alongs, check this one out. : D

4/5

 

 

Advertisements
New to the Library: “Spanish Death Song” The Builders and the Butchers

On Repeat: “Bottom” Tool; “Right Here in My Arms” H.I.M.

https://i2.wp.com/i35.servimg.com/u/f35/18/41/48/62/rs-18710.jpgThis is a hilarious double header. I must say I haven’t been particularly nostalgic for my Sophomore year of high school of late, and yet my music obsessions this month would state otherwise. I have always been way more into Tool than H.I.M., so getting stuck on one of their songs isn’t too surprising. But! There are still a handful of H.I.M. songs that will make my heart go pitter-patter because that voice!! So perhaps this is just the tail end of this summer’s obsession with the “deep” boys of my collection. *shrug*

First up is “Bottom” by Tool. I have never been an enormous fan of Undertow. Is it momentous for 90’s rock/metal? Absolutely. It’s just not my favorite Tool flavor–with the https://i.pinimg.com/736x/30/0f/75/300f757c11b0feba8d5163d72c617713--maynard-james-keenan-james-darcy.jpgexception of “Bottom.” I just cannot help singing along when he screams that first “dead inside.” (As a comical side effect of ripping this album from a friend, I had no idea the spoken part was Henry Rollins until…like this month. So I’ve always been really confused at why Maynard always sounds like such a dipdip in interviews when he sounds so manly here XD …I guess now I know.) Other than Maynard’s gorgeously powerful delivery of this song, I think another drive for my high play count was my recent reading of the lyrics, which I had never bothered to look into before. Frankly, I feel like they perfectly encompass the shitty angst of one’s late twenties. So perhaps I *couldn’t* have enjoyed this song fully until you know…shit started adding up at the bottom. lalala (As a second aside, if you have NEVER LISTENED TO TOOL for the love of God don’t let this be your first song lol. And if it must be, because now you’re curious… just realize that this song came out in ’93…so as cheesy as it may sound to our 2017 ears, it was very, very ahead of it’s time in many respects.)

https://metalshockfinland.files.wordpress.com/2012/03/villevalo.jpg?w=197&h=197Speaking of cheesy, guilty pleasures–H.I.M. Prepare thine guyliner. Can we just…for a minute…*goth drools* I have been very surprised to find that despite not being a 15 year old goth kid anymore, I still love the shit out of H.I.M. songs and I still find Ville Vallo’s pale, druggy-skinny, are-you-actually-a-vampire look really attractive. Honestly, I don’t think I have anything musically interesting to say about this song. They have chuggy, catchy rock/metal(ish) songs, but it’s really just Ville’s voice that carries them into something worth listening to over and over. So if you haven’t had the glorious pleasure of listening to “Right Here in My Arms” before (lol), go check out the video for it. You get to hear this https://i.pinimg.com/originals/bb/7e/60/bb7e60ebfa3929062074095603ad8eb5.jpggreat little jam and see Ville Vallo and the gang in peak goth-stardom sexiness (and pretend he’s singing to you : P).

All in all, there just aren’t that many guys who can go deep, ya know?? I like to appreciate the ones who do. BYE.

On Repeat: “Bottom” Tool; “Right Here in My Arms” H.I.M.

Film Review: “Dunkirk”

https://i2.wp.com/www.indiewire.com/wp-content/uploads/2017/03/screen-shot-2017-03-29-at-7-06-42-pm.pngAlright, so Netflix once pigeonholed one of my movie tastes as “Cerebral World War II Dramas.” Needless to say, I was embarrassingly awoken to this macabre obsession I have. So when I say this was the good side of “eh,” I maybe have some cred? lol

The cinematography was well done and I did appreciate that part of seeing it in theatres. What I did not fucking appreciate because *problems* were the extremely loud pops and booms of weaponry and explosions throughout the film. And the movie is well done so THAT you are startled. Some people like this; it just makes me angry and anxious. For that reason alone, I probably would have enjoyed it more at home without the BOOMBOOM of the big speakers.

The acting was decent to tolerable. I have to admit I got really distracted once the Last Kingdom douche bag was introduced in the plot. I had a really hard time divorcing him from that other role.

Overall if you’re one of those people that really likes WWII movies/documentaries, this is probably a cool flick to watch to add to all of those other granular details you’ve picked up over the years. If you’re not a WWII nerd and you’re not into actiony, drowny, no really like so many people die movies–you can probably skip it.

3.5/5

Film Review: “Dunkirk”

Film Review: The Dark Tower *SPOILERS*

https://i0.wp.com/cdn.collider.com/wp-content/uploads/2017/01/the-dark-tower-matthew-mcconaughey-idris-elba.jpgJust so we’re really clear, there are SPOILERS in this review–for the books and the movie. Normally I try to write un-spoiler reviews, but I wouldn’t have much meat to discuss with this movie if I couldn’t discuss its contents and the books side by side. So for those of you who don’t want it ruined (books or movie), I give the movie 4/5.

This adaptation had very mixed reviews, to the point that I was a little scared to go see it. I love The Dark Tower series and have been really looking forward to this film because THE DARK TOWER *sigh* and IDRIS ELBA *double sigh*…but here are my speculations on why the bad reviews may have been bad:

  • The reviewer is so obsessed with The Dark Tower that they can’t comprehend any adaptation that does not faithfully follow the path of the books.
  • The reviewer knows little about The Dark Tower and is overwhelmed by the somewhat bizarre plot and is missing all of the nuanced details that are jam-packed into this film.

For the rest of you TDT fans who left the movie going “huh?” consider this interpretation as a salve for your fandom wounds: The key to this interpretation (and lack of some very prominent main characters) is that partway through the man in black makes a comment along the lines of “this time around the wheel.” Because this movie is not the time around the wheel described in the book series. This is some version after he steps through the door at the top. And as my husband keeps proudly pointing out, HE HAS THE HORN! XD Now I’ve never been a fan of the (in my opinion bullshit) here we go ’round again ending to the books, but at least here it makes sense.

And on a way less nerdy note! The visual working of this post-apocalypse dying-tech world was great!! Idris Elba and Matthew McConaughey played their rolls perfectly. Jake was well cast. At the end of the day, if they weren’t going to make 7-8 movies out of this I think this is the best way they could have put that plot into 1.  Why they felt they couldn’t make 8 is weird to me, but that’s a rant for another day I suppose. I will say that the special effects are not so glorious that you have to see them in theatres. If you’re more of a RedBoxer, that will be just fine for this one. : )

 

Film Review: The Dark Tower *SPOILERS*

Film Review: Atomic Blonde

https://cdn.vox-cdn.com/uploads/chorus_asset/file/8938629/atomicblondefemmefatale.jpgI really enjoyed this one. And I was very glad it wasn’t the “female John Wick” as some people described it. John Wick is a movie about assassins. This is a Cold War spy-action flick. Very different things.

It also had some not-surprising, but nevertheless interesting sub-points about world politics and in some ways, perhaps showing that the tension in the 80’s was not so different than some of the tensions now.

The shots are all well done and there were some more gimmicky set ups that were very clearly an allusion to the graphic novel it’s based on. I also really loved the use of lighting and specifically the color lighting throughout the film.

I did feel like the girl-on-girl sex scene was a little gratuitous. Especially because they reference the main character having had sex with a male multiple times–all of which are given the kissing-faces-and-you-know-the-rest treatment. But when it’s two girls, let’s have an all out HBO fuck fest?? Ugh. Why couldn’t they have James McAvoy having a full frontal sex scene with some other dude in the movie?! Mmmhm. That’s what I thought.

All in all, glad I saw it in the theatres. Bottom line, the action scenes were worth it. I will look forward to watching this again on one of those call in to work, PMS, rainy days. : D

3.5/5

Film Review: Atomic Blonde

On Repeat: “I Have Nothing” Whitney Houston

https://verzweigung.files.wordpress.com/2017/08/5de77-whitney-houston-i-have-nothing-lyrics.jpg?w=410&h=215This song is HARD. I don’t mean a fun challenge. I mean it is a belter masterpiece. I have been intensely studying it for about 3 or 4 months and I have ONCE hit the belted high notes. For you non-singy people this is a different ball game from just singing “high” notes at a normal level. For example go try to sing the hook for “Only Girl (In the World)” by Rihanna at full force…kinda hard, huh? This is higher…

When I was pre-gaming for this post I wanted to rewatch this segment of The Bodyguard (the movie this song came from, in case you weren’t alive or live under a rock) and I noticed that the lip-sync performance in the movie does not imitate belting at all, which is utterly bizarre to watch. This prompted me to go watch some live performances on the YouTube to see just how much power she was actually using to sing this song. The answer is a fucking lot.

Which almost satiated my curiosity, and frankly my need for validation that this song is fucking hard…but. Video after video…after video…after video. Even the incredibly talented goddess of melisma HERSELF does not attempt to sing it as recorded for the studio album. In every live performance I’ve watched so far, they drop the key. This results in the song not sounding that much different, and to the average pop listener maybe not noticeable at all, but makes it much easier on the vocal chords because she doesn’t have to leap up to that incredible note on “close” of “don’t make me close one more door” while still leaping to a slightly more manageable note and sounding incredible (because she is). It’s a musical illusion that saves voices and embarrassment. (And by the way Rihanna does the same thing in her live performances of “Only Girl.”)

I bring this up not to disparage the approach, but rather to reinforce that these studio vocal gymnastics are HARD. We have no idea how many times it took these professionals to reach up there and make it happen for the record, so it’s kind of foolish to say “oh I’m no (insert Diva here)” –you might be!! Even they don’t hit those spectacular notes on most days, or reliably enough to bet on it in a live setting.

This is why “I Have Nothing” is such a demanding song that I obsess over. The crown jewel of The Bodyguard, her cover of “I Will Always Love You,” is beautiful and challenging in its own way; but “I Have Nothing” is the more stunning of the two. The gentle piano harmonies, the punching horns, all just caress the roller coaster of emotions. But to be honest, the musical accompaniment could be a dump truck pouring trash and I wouldn’t give a fuck–that voice is all I hear.

If you’ve never had the privilege, check out some of these live performances–she is brilliant.

5/5

Black Girl Magic: We go to 11.

On Repeat: “I Have Nothing” Whitney Houston

New to the Library: Add Violence EP-Nine Inch Nails

http://assets.teamrock.com/image/8c7153e1-0971-40db-aab8-9c4757a6dc4a?w=800Wow, just wow.

When I got the Not The Actual Events EP, I was happy to have more Nine Inch Nails in my life–especially since it didn’t turn out God awful. But this newer EP, Add Violence, is far superior.

Although I’m still a little confused about the decision to put out two 5-6 song EPs weeks apart rather than just one whole album. *shrug* This EP has so much more soul. So, perhaps the decision to keep them separate was to keep the integrity of these tracks intact…I will say that I don’t think anything conceptually new is happening here, though. It’s more like, wouldn’t it have been nice if The Fragile‘s two discs were Left-Trash Rock, Right-Art Rock? That’s the distinction I see here.

“Less Than” has that juicy bright synth loop that is very reminiscent of Pretty Hate Machine‘s peppier tunes. I’m getting a little tired of the ascending scale melody theme in Reznor’s songwriting, but it is catchy…so I guess that’s a little bit of a toss up. Fortunately, this is it’s only cameo in this EP. *whew* The instrument build up in this song is very well crafted and gives you that “so pumped” feeling ala “We’re in This Together.”

“The Lovers” is another toss up for me. Again, he is implementing a lot of his hey-day tropes–in this instance the whispered spoken word. I appreciate the style in it’s “original” form of “I Do Not Want This,” but here it just feels like the middle aged, high school football hero regaling us of the glory days. I love the sung melody, though; and I do feel the spoken word works as a sort of stylistic counterpoint. So that being said, I’m not sure the song could do without the spoken word even though it grates me. Also, this track is a reminder that Trent Reznor has beautiful song writing capabilities. I would love to hear instrumentals of all these tracks, because they really could stand on their own. It’s really no wonder he has been working on so much soundtracking recently.https://i1.wp.com/cdn3-www.musicfeeds.com.au/assets/uploads/nine-inch-nails-2017-source-facebook-671x377.jpg

“This Isn’t the Place” is so bluesy. Love, love, love. The perfect break up mash: Feist’s “The Limit to Your Love” as drunky, emotional catharsis and then this moody bitch is when you just sit and stew about the bullshit. This is really only underlined by the breathy falsetto vocals that start halfway through. Saudade as fuck; “I thought we had more time.”

“Not Anymore” is raw AF. Reznor doesn’t always do dramatic pauses, but when he does they are perfectly placed. I also love how so many thematic sounds from the last handful of albums get blended into one cohesive monster here. There are so many sonic rabbit holes to explore here. And just when you think you’ve settled into it. Boom!

In pops “The Background World.” I’m not sure the extended noise section was reaaally necessary, or that it necessitated the “album only” buy (such a gimmick btw…I mean unless you’re Bjork’s “Black Lake,” just sit down and let people buy what they want lol). It could have easily ended around the 6-7 minute mark without damaging the whole. What I do love about this track is how both the lyrics and the instrumental pieces metaphorically reflect the consequences-unraveling phase of an event. This is a very hard interpretation to get right, and it seems only fitting that Reznor would be the master of that realm.

Overall this EP is wonderfully solid. Skip your Strawbricks and add this latest NIN installation to your collection. It is definitely worth it.

4/5

New to the Library: Add Violence EP-Nine Inch Nails