New to the Library: Add Violence EP-Nine Inch Nails

http://assets.teamrock.com/image/8c7153e1-0971-40db-aab8-9c4757a6dc4a?w=800Wow, just wow.

When I got the Not The Actual Events EP, I was happy to have more Nine Inch Nails in my life–especially since it didn’t turn out God awful. But this newer EP, Add Violence, is far superior.

Although I’m still a little confused about the decision to put out two 5-6 song EPs weeks apart rather than just one whole album. *shrug* This EP has so much more soul. So, perhaps the decision to keep them separate was to keep the integrity of these tracks intact…I will say that I don’t think anything conceptually new is happening here, though. It’s more like, wouldn’t it have been nice if The Fragile‘s two discs were Left-Trash Rock, Right-Art Rock? That’s the distinction I see here.

“Less Than” has that juicy bright synth loop that is very reminiscent of Pretty Hate Machine‘s peppier tunes. I’m getting a little tired of the ascending scale melody theme in Reznor’s songwriting, but it is catchy…so I guess that’s a little bit of a toss up. Fortunately, this is it’s only cameo in this EP. *whew* The instrument build up in this song is very well crafted and gives you that “so pumped” feeling ala “We’re in This Together.”

“The Lovers” is another toss up for me. Again, he is implementing a lot of his hey-day tropes–in this instance the whispered spoken word. I appreciate the style in it’s “original” form of “I Do Not Want This,” but here it just feels like the middle aged, high school football hero regaling us of the glory days. I love the sung melody, though; and I do feel the spoken word works as a sort of stylistic counterpoint. So that being said, I’m not sure the song could do without the spoken word even though it grates me. Also, this track is a reminder that Trent Reznor has beautiful song writing capabilities. I would love to hear instrumentals of all these tracks, because they really could stand on their own. It’s really no wonder he has been working on so much soundtracking recently.https://i1.wp.com/cdn3-www.musicfeeds.com.au/assets/uploads/nine-inch-nails-2017-source-facebook-671x377.jpg

“This Isn’t the Place” is so bluesy. Love, love, love. The perfect break up mash: Feist’s “The Limit to Your Love” as drunky, emotional catharsis and then this moody bitch is when you just sit and stew about the bullshit. This is really only underlined by the breathy falsetto vocals that start halfway through. Saudade as fuck; “I thought we had more time.”

“Not Anymore” is raw AF. Reznor doesn’t always do dramatic pauses, but when he does they are perfectly placed. I also love how so many thematic sounds from the last handful of albums get blended into one cohesive monster here. There are so many sonic rabbit holes to explore here. And just when you think you’ve settled into it. Boom!

In pops “The Background World.” I’m not sure the extended noise section was reaaally necessary, or that it necessitated the “album only” buy (such a gimmick btw…I mean unless you’re Bjork’s “Black Lake,” just sit down and let people buy what they want lol). It could have easily ended around the 6-7 minute mark without damaging the whole. What I do love about this track is how both the lyrics and the instrumental pieces metaphorically reflect the consequences-unraveling phase of an event. This is a very hard interpretation to get right, and it seems only fitting that Reznor would be the master of that realm.

Overall this EP is wonderfully solid. Skip your Strawbricks and add this latest NIN installation to your collection. It is definitely worth it.

4/5

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New to the Library: Add Violence EP-Nine Inch Nails

On Repeat: “Branches / Bones” Nine Inch Nails

https://consequenceofsound.files.wordpress.com/2016/12/not-actual-events-ep-stream-nine-inch-nails-new-nin-reznor-listen.png?w=362&h=226This On Repeat is brought to you by reviewing the Not the Actual Events EP. I feel like this is important to bring up because it isn’t my favorite track on this new release, but has wormed its way into the spotlight. So be it.

That being said, “Branches / Bones” is catchy as hell. The high rising terminals in the chorus are as addictive as the claps in “Hey Mickey.” This is not super surprising given Trent Reznor’s clear penchant for pop tunes.

Every. thing. in this track is dripping in effects, which gives the illusion that it’s some sort of grimy masterpiece; when in reality, it’s pretty basic Reznor writing. And overall, this kind of “rah rah” rock song seems to be his make-a-hit go to. Maybe he has been kickin’ it with Dave “Hit Master” Grohl too long (lalala). I’m also growing less and less in love with the Apple Music synth sounds that a lot of his percussive tracks seemed to be infused with. Since I assume he has access to way better shit than GarageBand, I’m going to hope that this isn’t actually what he’s using to compose…but boy, oh boy, do I wonder sometimes. And more importantly, of all the things to leave clean?? *shrugs*

But this brings me right back around, as always, to the point that must always be made when ripping apart a shitty NIN track. On Trent Reznor’s cruddiest, most uninspired day–he is a thousand times better at this shit than most. So when I’m drunk and feeling belligerent, this song will be there to cradle my angst. Just like it should.

3/5

 

On Repeat: “Branches / Bones” Nine Inch Nails

“All Eyez On Me” Review

https://images.fandango.com/r1.0.40/ImageRenderer/300/0/redesign/static/img/noxsquare.jpg/125515/images/masterrepository/fandango/193741/fnd_mc_alleyezonme.jpgThis was a good movie & I’m glad I got to see it in the theaters…but it could have been better.

For the most part, the casting was done well in terms of balancing actors who look like the real-life people, but are also able to act. My only small gripe was that the chick they cast for Faith Evans was a little too light–I only bring it up because in combination with using her time-appropriate bleach blonde look, it just looked like a white girl & for a second I was like “who is this again” until they started referring to her as Faith. Not a big deal, it was just a little confusing. I was also a little amused at Bonnie Bennett as Jada Pinkett?? Like…let’s look at this…

https://www.macheat.com/wp-content/uploads/2015/06/Jada-Pinkett-Smith-Wallpaper.jpghttps://beautyeditor.ca/.image/t_share/MTQ2MTExMzY1OTMxNjA3NDg1/kat-graham-mercedes-benz-fashion-week-2008-1.jpg

I’m not saying there’s no resemblance, but like…was Zoe Kravitz not available?? Let’s move on…

The way they were able to weave the hits into the fabric of the storytelling was well done. Not all music biopics do this well and it has the effect of feeling like a VH1 documentary rather than a cinematic endeavor. I also feel like, overall, they did a good job of showing Tupac as a complex man. This was really important to me because it is a huge part of what makes his music and message so meaningful.

One of my bigger gripes with the film were the general treatment of time transitions. They were spanning quite a lot of time, but they way they set up these cuts seemed a little disjointed. My other meh feeling is about the treatment of his death. Throughout this whole film, we see how his decisions to affiliate with the scarier members of the scene contribute to his untimely death. And yet, in the close of his death scene he has choruses singing like he was some fallen angel who was just in the wrong place at the wrong time, when in reality he was involved in a world full of gang members who killed people. Not only is it not surprising that he was murdered, but it’s painful to see his demise almost glorified. Was it terrible that such an amazing artist and poet died well before his time? Yes. But it’s not like he got hit by a bus or his plane inexplicably fell from the sky. He was murdered -very probably- due to his interactions with some very dangerous people. My concern is that young folks will watch this movie and see the glory and fame of the rap game and interpret this choral rise to God scene as a glorification of a gangster death. Like that is some sort of height to be attained. And what we don’t need is any more kids joining gangs and ending up in these same idiotic feuds that killed some of our most talented musicians because they are seeing the 90’s gangster aesthetic reinforced in this film.

If you haven’t seen it in theaters yet, it is at the very least worth hearing some great song bumped LOUD. Also the acting was pretty good. If you have to pay more than $10 to see a movie in your town, then you can probably wait until RedBox. : D

3.5/5

“All Eyez On Me” Review