I was listening to NPR’s All Songs Considered today, and they described Bjork’s music as “celestial.” I think there are many moments that My Brightest Diamond does the same thing, even if not in such a grandiose way, on this album.
I think a lot of that celestial feeling in My Brightest Diamond comes from the delicate weaving of strings, harp, moody piano bass, and breathy background vocalisations. And *that* is exactly what I find so enchanting about this body of work. It is graceful and violent. But! I am not here to talk about the album as a whole, but just the beautifully bitter “The Diamond;” which incidentally is my very first MBD song. *sigh*
I can tell you first off that what drew me into the murky and lovely universe of “The Diamond” is Shara Nova’s dark tinted, breathy delivery. She also is very talented at giving stony, sharp reproaches–which you can hear in this song’s lines “are you coming?” and “you must feel splendid.”
I really love the drums in this track, which are muted and almost sound canned. There is also a very light guitar tremolo in parts that remind me of the slight tremble in a tense voice. It’s one of those parts that is easy to miss, but would completely change the texture of the song if it weren’t there. Also, Maeve Gilchrist on harp is just phenomenal. Her part starts out slow and spaced, but builds into the verses in such a way that you feel like you are being carried away on a wave. It is perfect and in my opinion, is what makes this track sparkle.
Honest to stars, if you’ve never listened to My Brightest Diamond’s “A Thousand Shark’s Teeth,” please please give it a whirl. You’ll need a quiet time, some candles and possibly some wine or maybe a toasty cup of coffee and a cloudy day, but it is well worth giving it the space to breath it’s beauty into your life.