New to the Library: Add Violence EP-Nine Inch Nails

http://assets.teamrock.com/image/8c7153e1-0971-40db-aab8-9c4757a6dc4a?w=800Wow, just wow.

When I got the Not The Actual Events EP, I was happy to have more Nine Inch Nails in my life–especially since it didn’t turn out God awful. But this newer EP, Add Violence, is far superior.

Although I’m still a little confused about the decision to put out two 5-6 song EPs weeks apart rather than just one whole album. *shrug* This EP has so much more soul. So, perhaps the decision to keep them separate was to keep the integrity of these tracks intact…I will say that I don’t think anything conceptually new is happening here, though. It’s more like, wouldn’t it have been nice if The Fragile‘s two discs were Left-Trash Rock, Right-Art Rock? That’s the distinction I see here.

“Less Than” has that juicy bright synth loop that is very reminiscent of Pretty Hate Machine‘s peppier tunes. I’m getting a little tired of the ascending scale melody theme in Reznor’s songwriting, but it is catchy…so I guess that’s a little bit of a toss up. Fortunately, this is it’s only cameo in this EP. *whew* The instrument build up in this song is very well crafted and gives you that “so pumped” feeling ala “We’re in This Together.”

“The Lovers” is another toss up for me. Again, he is implementing a lot of his hey-day tropes–in this instance the whispered spoken word. I appreciate the style in it’s “original” form of “I Do Not Want This,” but here it just feels like the middle aged, high school football hero regaling us of the glory days. I love the sung melody, though; and I do feel the spoken word works as a sort of stylistic counterpoint. So that being said, I’m not sure the song could do without the spoken word even though it grates me. Also, this track is a reminder that Trent Reznor has beautiful song writing capabilities. I would love to hear instrumentals of all these tracks, because they really could stand on their own. It’s really no wonder he has been working on so much soundtracking recently.https://i1.wp.com/cdn3-www.musicfeeds.com.au/assets/uploads/nine-inch-nails-2017-source-facebook-671x377.jpg

“This Isn’t the Place” is so bluesy. Love, love, love. The perfect break up mash: Feist’s “The Limit to Your Love” as drunky, emotional catharsis and then this moody bitch is when you just sit and stew about the bullshit. This is really only underlined by the breathy falsetto vocals that start halfway through. Saudade as fuck; “I thought we had more time.”

“Not Anymore” is raw AF. Reznor doesn’t always do dramatic pauses, but when he does they are perfectly placed. I also love how so many thematic sounds from the last handful of albums get blended into one cohesive monster here. There are so many sonic rabbit holes to explore here. And just when you think you’ve settled into it. Boom!

In pops “The Background World.” I’m not sure the extended noise section was reaaally necessary, or that it necessitated the “album only” buy (such a gimmick btw…I mean unless you’re Bjork’s “Black Lake,” just sit down and let people buy what they want lol). It could have easily ended around the 6-7 minute mark without damaging the whole. What I do love about this track is how both the lyrics and the instrumental pieces metaphorically reflect the consequences-unraveling phase of an event. This is a very hard interpretation to get right, and it seems only fitting that Reznor would be the master of that realm.

Overall this EP is wonderfully solid. Skip your Strawbricks and add this latest NIN installation to your collection. It is definitely worth it.

4/5

New to the Library: Add Violence EP-Nine Inch Nails

New to the Library: “Jasmine (Demo)” Jai Paul

https://images.genius.com/1e65022a89546a09baad6a2354aa3659.1000x1000x1.jpgI really feel weird doing a “New to the Library” on a track that I got over a year ago…but! life is wild and I am majorly ?blog-logged? Not sure if that’s gonna fly, but either way I have a lot of old shit to sift through…Which brings us to the beloved “Jasmine (Demo)” by Jai Paul.

This song has grown near and dear to my heart, first but not least, because I got it just a wee bit before our larger-than-life Prince passed away. During those first few months I really clung to this song in a “the spirit of Prince will live on” sort of way. At first I thought it was because of Jai Paul’s lean towards breathy falsetto, but I’m realizing that there are a lot more elements that scream Purple Rain & 1999 era Prince. In an interview with Pitchfork, Caribou describes how there are sounds that sort of fly at you out of nowhere and how those sonic surprises make the track invigorating and singular. I also think there is a sort of melancholy that winds through the thumpy bass, noodly guitar, and lilted journey of Jai Paul’s vocal range. If you’re on the fence at first, give it another five listens–trust me you’ll be hooked.

5/5

Saudade Slayage: 9.5/10

New to the Library: “Jasmine (Demo)” Jai Paul